Sunday, March 17, 2013

Sunday, March 3, 2013

Song for Sunday


Belle and Sebastian – Lazy Line Painter Jane

Still love this after all these years. I have been watching an excellent documentary about the early years of Belle and Sebastian, which has prompted a bit of nostalgia for 1990s Glasgow. Also finally got a copy of their 2010 album Write About Love which is actually really good. Live version here is also worth a listen.

Band/artist of the week: Low
Song of the week: Little Green Cars – The John Wayne

Sunday, February 17, 2013

Song for Sunday


Low – Nothing But Heart

And now new albums announced by Low and British Sea Power. Colour me very excited already ...

Band/artist of the week: Mogwai
Song of the week: British Sea Power – Machineries of Joy

Sunday, February 3, 2013

Song for Sunday


Frightened Rabbit – Backyard Skulls

Band/artist of the week: R.E.M.
Song of the week: Radiohead – Anyone Can Play Guitar

Really enjoying the new Frightened Rabbit album that came out this week. Unfortunately it is bound to be totally overshadowed by the new My Bloody Valentine one which was released without any build-up overnight.

The news earlier in the week that Kevin Shields had claimed it might be 'out in two or three days' at their Electric Brixton gig last Sunday was exciting, but given the 22 year wait so far I wasn't going to get my hopes up too much. However, there it was on twitter this morning: new album released, available immediately from their new website. Except it wasn't. The website had promptly collapsed under the weight of all that built-up expectation and all that most people could find was an opaque 403 error message. Could it all be an elaborate practical joke? Fortunately, no. About five hours later – once everyone in the UK had got bored waiting and gone to bed – the website casually appeared and a few minutes later a download of the complete album was sitting on my hard drive.

It is never going to have the shock and impact of Loveless, and no-one could expect it to, but even so it sounds pretty good. A handful of stunning tracks and a few that wouldn't have sounded out of place on Loveless, may not sound like much progress for 22 years work, but there are still very few contemporary bands that could make an album this exciting and interesting. Me? At the moment I am just happy to have another nine My Bloody Valentine songs in the world.

(Oh, and I haven't forgotten about the best albums of 2012. It is just taking a bit longer than planned to get it all finished. I thought being unemployed would give me more time for stuff like writing blog posts, but sadly that doesn't seem to be the case. Soon, I promise.)

Sunday, January 27, 2013

Sunday, January 20, 2013

Songs for Sunday


Suede – Barriers


David Bowie – Where Are We Now?

Two songs this week, to make up for missing last Sunday. Both tasters for forthcoming albums that sound like they could be pretty interesting. But will they be a match for the highly-rumoured new My Bloody Valentine album?

Band/artist of the week: Low
Song of the week: Adam and the Amethysts – Drinking in LA

Sunday, January 6, 2013

Best albums of 2012: 10 to 6

10 Lana Del Rey – Born to Die
Mannered, manufactured(?), but soaring, glorious pop melodies. I don't read enough about music anymore to know where Lana came from or how this album came into existence. I watched Video Games on YouTube and as I went to buy it as a single thought I should have a listen to the album just in case there was anything else even close to its sublime, irresistible pure pop hit. Of course the whole album isn't quite that good, but there are another three or four tracks that are close and the rest is pretty wonderful too. Perfectly modern but beautifully timeless, this is the sort of album that burrows deep into your brain with melodies that are all but impossible to dislodge.

9 Human Don't Be Angry – Human Don't Be Angry


Malcolm Middleton's side project may not have the emotional impact of his usual work, but it sounds like he is having a lot of fun here. And if anyone deserves a bit of fun you would hope that Malcolm would be near the top of the list. The last track, Getting Better (At Feeling Like Shit), is the only clue that this record is from the man whose attempt at a Christmas number one was called We're All Going to Die. Highlighting his hitherto unknown love of 80s pop, synthesisers and drum machines it is a wonderful showcase of another side of his amazing talents. 

8 Ghost Society – The Back of His Hands, Then the Palms


If you were going to put together a band designed to cater purely for my tastes you would probably come up with something pretty close to Ghost Society – dreamy female/male vocals, distorted My Bloody Valentine-esque washes of guitar, left field melodies from Scandinavia. The shoegaze inspirations can be picked out if you are looking hard, but the sublime vocals are more Cocteau Twins than Ride. Sparkling and shimmering this is a beautiful collection of songs to lose yourself in.

7 Mystery Jets – Radlands


Earnest indie-boys and their guitars make up surprisingly little of my current listening, but I have made an exception for Radlands. There are one or two cheesy moments, try Greatest Hits for a prime example, but overall this is a good selection of well-written, intelligent and mostly jangly songs that stand up to repeated listening. There is a bit of variety, with the rather lovely ballad Take Me Where the Roses Grow and the lo-fi Luminescence rounding things out and providing a counterpoint to the simpler pleasures.

6 Best Coast – The Only Place
Low slung guitars, songs three minutes or less. Like an Elastica for 2012, only better.




Song for Sunday


Best Coast – Angsty

Band/artist of the week: The National
Song of the week: Young Galaxy – Youth is Wasted on the Young

Wednesday, January 2, 2013

Best albums of 2012: the near misses

Very late, almost embarrasingly so, and slightly less detailed than usual, but for the record here are the Geography of Hope albums of 2012. Starting with the near misses, the top 10 will follow as quickly as I can manage.

Saint Etienne – Words and Music
It doesn't have the subtlety or the charm of earlier albums, but there are still some flashes of brilliance to remind me of the glory days. Lots of shiny big pop numbers, chiming piano chords and pumping drum beats, but Sarah Cracknell's vocals always seem to have an edge of melancholy and Words and Music seems especially nostalgic for those teenage/early adult years of mix-tapes, a music press that mattered and when music was an essential part of defining who you are.

Richard Hawley – Standing at the Sky's Edge
His vocal delivery and guitar histrionics remind me a bit of Eric Clapton and that would normally be enough to have me running screaming from the room, but somehow he turns it into something resembling a mythical lost Nancy Sinatra and Lee Hazlewood album. Full of swirling, menacing harmonies, the languid vocals are mostly undecipherable and when you can hear them you realise that is probably a good thing. Even so this is a gloriously uplifting and out of time album that sounds immediately recognisable and also like nothing else you have ever heard before.

Monday, December 24, 2012

Song for Sunday


Efterklang (with the Sydney Symphony Orchestra) – Ghosts

Band/artist of the week: Burial
Song of the week: Best Coast – Angsty

Bit late this week, apologies. Losing track of the days of the week. Anyway, a bit of culture to make up for the delay ...

Sunday, December 16, 2012

Sunday, December 2, 2012

Song for Sunday


Of Monsters and Men – Little Talks

Especially for Finn this week ...

Band/artist of the week: Beach House
Song of the week: Beach House – Myth

Sunday, October 28, 2012

Song for Sunday


The girl with the replaceable head – Bad Dreams

Band/artist of the week: Sigur Rós
Song of the week: The xx – Missing

Sunday, October 21, 2012

Sunday, October 7, 2012

Song for Sunday


Eurythmics – When Tomorrow Comes

Anyone else remember the 80s?

Band/artist of the week: Gil Scott-Heron
Song of the week: Neil Young – Cinnamon Girl