For the first time in three years I missed taking a punt on the Giro d'Italia final standings, so to make up lets have some ill-informed predictions for the World Cup:
Group A - France and Mexico
Group B - Argentina and Nigeria
Group C - USA and England
Group D - Germany and Ghana
Group E - Cameroon and The Netherlands
Group F - Italy and Paraguay
Group G - Brazil and Portugal
Group H - Spain and Chile
Likely to be fewer upsets in the group stage this time round, but I still reckon that the USA can finish on top of group C and that's not just wishful thinking.
Unfortunately I can't see Australia getting through to the knockout stages this time – the team is lacking in goal-scoring ability and Verbeek is the sort of coach who is too obsessed about not losing to actually win games. I would be delighted to be proven wrong, especially as a second place in the group could set-up the succulent prospect of knocking out England to progress to the quarter finals. Not going to happen, but for another couple of weeks we can at least dream ...
And the final? I think we'll have Argentina v. Spain with the South Americans winning out 3 - 1. (Now where did I put that Argentina shirt from 1986?)
Tuesday, June 8, 2010
Sunday, June 6, 2010
Song for Sunday
The Dø – At Last
Band/artist of the week: The National
Song of the week: The National – Afraid of Everyone
Sunday, May 30, 2010
Song for Sunday
The Mynabirds – Numbers Don't Lie
Band/artist of the week: The National
Song of the week: The National – Afraid of Everyone
Sunday, May 23, 2010
Song for Sunday
Besnard Lakes – Albatross
Band/artist of the week: The National
Song of the week: The National – Afraid of Everyone
Monday, May 17, 2010
Pre-internet search

I know it is only just over ten years ago, but how did we find out about stuff before Google?
Ironically, even though I searched on Google, I am not sure who the creator of this ingenious spoof was. Thank you whoever you are.
Sunday, May 16, 2010
Song for Sunday
The National – Bloodbuzz Ohio
Beautiful. One day I will be able to grow a beard like that.
Band/artist of the week: The National
Song of the week: The National – Bloodbuzz Ohio
Funny that!
Sunday, May 2, 2010
Song for Sunday
White Hinterland – Amsterdam
Band/artist of the week: The National
Song of the week: The National – Bloodbuzz Ohio
Sunday, April 25, 2010
Song for Sunday
The Morning Benders – Promises
Band/artist of the week: The National
Song of the week: The National – Bloodbuzz Ohio
Saturday, April 24, 2010
The People's Train
My views on historical fiction tend to be the opposite of Booker Prize judges, but strangely this goes out the window for anything set in Russia especially around the October Revolution.
Unfortunately The People's Train is the exception that proves the rule.
Sometime last year I chanced across a review that praised the book and mentioned that it was based on a true story about one of the minor protagonists in the Russian Revolution. I have never read anything by Thomas Keneally (or Tom as his Australian publishers prefer), but he won the Booker for Schindler's Ark and is undoubtably one of Australia's best regarded and prolific writers so it seemed likely to be something I would enjoy.
The first two-thirds is set in Brisbane and is purportedly the English translation of the memoirs of one Artem Samsurov (Late Hero of the Soviet Revolution) – a protégé of Lenin's who escapes from prison in Tsarist Russia and makes it to Australia by way of Japan and China. The last one-third is billed as Paddy Dykes' Russian Journal and culminates in his account of the storming of the Winter Palace on 27 October 1917.
It is a brilliant idea to swap the perspectives in this way – the Russian exile narrating the Australian section (although with a great deal of back story and plot filling along the way) and the small-town Australian idealist reporting the momentous historical events he witnesses in Russia.
Unfortunately it just doesn't work. The characters are flat and unconvincing, the historical details are correct by don't come to life and the narrative trundles along when it should race toward the obvious conclusion.
At one point Paddy complains that Artem's bride-to-be 'Tasha didn't seem to exist beyond her reputation. She was most alive and was a real presence when she spoke at factories around Kharkov. In the Gubin house she was a bit like a ghost.' Unfortunately this could applied to a great many of the characters in the novel. And on top of this the writing can be clunky and laboured, almost as if he forgot to re-write all the material that his researcher came up with. It's a shame because Artem's story is incredible and I couldn't help feeling that it was short-changed by this book.
Unfortunately The People's Train is the exception that proves the rule.
Sometime last year I chanced across a review that praised the book and mentioned that it was based on a true story about one of the minor protagonists in the Russian Revolution. I have never read anything by Thomas Keneally (or Tom as his Australian publishers prefer), but he won the Booker for Schindler's Ark and is undoubtably one of Australia's best regarded and prolific writers so it seemed likely to be something I would enjoy.
The first two-thirds is set in Brisbane and is purportedly the English translation of the memoirs of one Artem Samsurov (Late Hero of the Soviet Revolution) – a protégé of Lenin's who escapes from prison in Tsarist Russia and makes it to Australia by way of Japan and China. The last one-third is billed as Paddy Dykes' Russian Journal and culminates in his account of the storming of the Winter Palace on 27 October 1917.
It is a brilliant idea to swap the perspectives in this way – the Russian exile narrating the Australian section (although with a great deal of back story and plot filling along the way) and the small-town Australian idealist reporting the momentous historical events he witnesses in Russia.
Unfortunately it just doesn't work. The characters are flat and unconvincing, the historical details are correct by don't come to life and the narrative trundles along when it should race toward the obvious conclusion.
At one point Paddy complains that Artem's bride-to-be 'Tasha didn't seem to exist beyond her reputation. She was most alive and was a real presence when she spoke at factories around Kharkov. In the Gubin house she was a bit like a ghost.' Unfortunately this could applied to a great many of the characters in the novel. And on top of this the writing can be clunky and laboured, almost as if he forgot to re-write all the material that his researcher came up with. It's a shame because Artem's story is incredible and I couldn't help feeling that it was short-changed by this book.
Sunday, April 18, 2010
Song for Sunday
Casio Kids – Grønt Lys i Alle Ledd
Band/artist of the week: Frightened Rabbit
Song of the week: The National – Afraid of Everyone
Sunday, April 11, 2010
Song for Sunday
Venice is Sinking – Okay
How great is this? Venice is Sinking are from Athens GA (same city as R.E.M.) and specialise in a beautiful, lush and languid slightly leftfield-rock which is right up my street. The combination of male and female vocals weaving in and out is something else which I find hard to resist. Anyway, they are the best new band I've found this year (thanks mbvmusic!) and if the video above appeals then I suggest you have a look at their website – plenty of free tunes to download – and start by purchasing their Okay EP from late last year.
Band/artist of the week: Venice is Sinking
Song of the week: Venice is Sinking – Compass
Sunday, April 4, 2010
Song for Sunday
White Rabbits – They Done Wrong, We Done Wrong
Band/artist of the week: The National
Song of the week: The National – Bloodbuzz Ohio
Sunday, March 28, 2010
Song for Sunday
The National – Terrible Love
Band/artist of the week: The National
Song of the week: The National – Bloodbuzz Ohio
It's all about one band this week. New album May 11. Put it in your diaries/blackberries/iPhones/whatever. I think it is safe to say that I am probably more excited about High Violet than just about any other album released in the last five years. Watch the clip above, download Bloodbuzz Ohio from the web-site. I think you'll see why.
Sunday, March 21, 2010
Song for Sunday
Mogwai – Mogwai Fear Satan
I don't believe in swearing. Much. But I have to say this is fucking amazing. If you are epileptic or suffer from seizures easily be warned: you may need to watch with your eyes shut. But don't worry it will still be worth it.
Band/artist of the week: The National
Song of the week: Efterklang – Alike
Saturday, March 20, 2010
Election
Fantastic. More Tory campaign posters at mydavidcameron.com ...
Now, is it too late to get my postal vote sorted?
Sunday, March 14, 2010
Song for Sunday
Basia Bulat – The Shore
Band/artist of the week: Malcolm Middleton
Song of the week: Efterklang – Alike
Sunday, March 7, 2010
Song for Sunday
The Soft Pack – C'mon
Band/artist of the week: Efterklang
Song of the week: Roky Erickson w/ Okkervil River – Goodbye Sweet Dreams
And I hope you are all getting excited about the new Mogwai live CD and movie Burning –
Sunday, February 28, 2010
Song for Sunday
Bowerbirds – Northern Lights
Band/artist of the week: Efterklang
Song of the week: Ben Sollee and Daniel Martin Moore – Something, Somewhere, Sometime
Efterklang's new album Magic Chairs was released this week and it is excellent. Hence the large number of plays on Geography of Hope's iPod this week. If you want a preview there is a fantastic live set of four songs here and you can find out more about all the songs on the album here.
Friday, February 26, 2010
Misplaced childhood
My father told lies all his life and, because
I knew no better, I repeated them.
A lie about my father... A son's version of the truth...
John Burnside's memoir about his father is a brilliant, but brutal account of what it was like for him growing-up in the fifties and sixties in Cowdenbeath and Corby. As well as being a liar, his father is a drunk and a bully who is singularly ill-qualified for fatherhood, even by the standards of 1950s Scotland.
A Lie About My Father covers the time from John's birth to his early twenties when his dad dies. It is tough going – his dad burning his teddy bear at six, his mother bundling him out of the bedroon window late at night to avoid drunken beatings, the broken arm from a holiday in Blackpool that goes undiagnosed for three weeks, the teenage obsession with fire-lighting – but not at all gloomy. He seems to cope remarkably well with his lot and there is a complete lack of self-pity or wallowing in his predicament. Like millions of other teenagers he survives with the help of books, music and a complete rejection of his father's principles.
Of course, however, it all takes its toll and as the book ends he is diagnosed with mental illness, hospitalised and losing himself in serious drug abuse from which it takes him a decade to escape.
When they warn you about all that bohemian stuff, they always talk about the seductive properties of alcohol, or drugs, or loose morals, but they never say how seductive falling is, what a great pleasure it is to be lost. Perhaps they don't know. Perhaps only the lost know. Far from home, far from the known, the imagination starts to play beautiful, terrifying tricks on us. Maybe it is the road of excess that leads to the palace of wisdom – which is just another word for a certain kind of crazy. Being lost, being crazy: while I was falling, I knew I was on to something. I knew I wasn't anywhere near there yet, but I also knew that I couldn't get there from where I was.His recent memoir Waking up in Toytown covers this lost decade and his escape into suburbia of all places. A Lie About My Father ends positively and, although I don't want to spoil the book for anyone, it is safe to say that he isn't going to repeat the mistakes his father made.
P.S. What is the difference between memoir and autobiography? I couldn't really have told you until recently, but according to Diana Athill (in issue number 7 of the consistently interesting Five Dials) the two have diverged recently and autobiography is the official, public version of events while memoir is the private version. Thus the key to memoir is that its success or otherwise depends on how true the account feels to the reader. A Lie About My Father certainly fits this description.
Sunday, February 21, 2010
Song for Sunday
The Twilight Sad – I Became a Prostitute (acoustic)
I almost put the official video up late last year, but it is a bit rude and definitely NSFW. (I could just see myself clicking on it by accident and having a bit of explaining to do to the IT police. Not that I would look at my own blog or update it or anything like that at work ...)
Band/artist of the week: Land of Talk
Song of the week: Ben Sollee and Daniel Martin Moore – Something, Somewhere, Sometime
(Click on the link above, download the mp3, enjoy. My pleasure. Don't mention it.)
Sunday, February 14, 2010
Song for Sunday
Land of Talk – Some are Lakes
Band/artist of the week: We Were Promised Jetpacks
Song of the week: We Were Promised Jetpacks – Quiet Little Voices
Friday, February 12, 2010
Things We Didn't See Coming
Maybe I wanted to love Steven Amsterdam's Things We Didn't See Coming too much. Unfortunately I finished it feeling that I should have enjoyed it more than I did.
The nine chapters (or are they actually short stories?) are inventive and disconcerting, challenging and constantly surprising; all set in an indistinct, post-apocalyptic future which at times seem temporally near, but at others extremely distant.
Initially it looks like we are in for an alternative reality, starting with a Y2K millennium panic that really does go bad, but then we start skipping through the twenty-first century glimpsing nine snapshots of lives that seem to reference what has come before but how it is hard to tell. The connections between the stories are too tenuous or not there at all and I was left lost and a bit puzzled by each subsequent one. The book group questions on his website suggest that all nine stories are narrated by the same person, but this doesn't feel right to me – it just doesn't make sense or ring true.
Individually the nine stories are all great pieces of writing – thought provoking and haunting in many places – but regrettably the holes and gaps and disjunctures meant that I couldn't believe in it as a complete narrative.
I do love the cover design: simple, but powerful and intriguing. And his website is a great example of how a you can make the most of a tiny marketing budget to enhance and promote the book. Just don't click on the What are you so worried about? link.
The nine chapters (or are they actually short stories?) are inventive and disconcerting, challenging and constantly surprising; all set in an indistinct, post-apocalyptic future which at times seem temporally near, but at others extremely distant.
Initially it looks like we are in for an alternative reality, starting with a Y2K millennium panic that really does go bad, but then we start skipping through the twenty-first century glimpsing nine snapshots of lives that seem to reference what has come before but how it is hard to tell. The connections between the stories are too tenuous or not there at all and I was left lost and a bit puzzled by each subsequent one. The book group questions on his website suggest that all nine stories are narrated by the same person, but this doesn't feel right to me – it just doesn't make sense or ring true.
Individually the nine stories are all great pieces of writing – thought provoking and haunting in many places – but regrettably the holes and gaps and disjunctures meant that I couldn't believe in it as a complete narrative.
I do love the cover design: simple, but powerful and intriguing. And his website is a great example of how a you can make the most of a tiny marketing budget to enhance and promote the book. Just don't click on the What are you so worried about? link.
Sunday, February 7, 2010
Song for Sunday
Frightened Rabbit – Swim Until You Can't See Land
New album The Winter of Mixed Drinks is out on March 2 ...
Band/artist of the week: We Were Promised Jetpacks
Song of the week: We Were Promised Jetpacks – Quiet Little Voices
Sunday, January 31, 2010
Song for Sunday
Shout Out Louds – Fall Hard
Band/artist of the week: Hello Saferide
Song of the week: Yeah Yeah Yeahs – Hysteric
Friday, January 29, 2010
The Steep Approach to Garbadale
I've read all of Iain Banks' books, pretty much in the order he wrote them, starting with The Wasp Factory in 1988. The Bridge is one of my favourite books ever, one that I re-read on a regular basis, and his run of non-SF novels from The Wasp Factory to Complicity is arguably unmatched in British literature. I agree with him on most of his political views, am interested in all the same things and recognise much of what he writes about from my own background and experiences. Listening to him talk it is clear that he is erudite and fantastically entertaining (just listen to him discuss Transition with Ramona Koval on Radio National's The Book Show to see what I mean).
In short, he is a bit of genius and someone I admire greatly.
Unfortunately, and you knew there was a qualifier coming, his last four (non-SF) novels haven't been very good. So over the last 14 years I have gone from keenly awaiting each new release to mild interest whenever the latest title appears. After Dead Air I even sort-of-assumed that I might be finished with his regular fiction and considered starting into his SF works. I read some mildly positive reviews of The Steep Approach to Garbadale, but even then had no inclination to pick up a copy and probably wouldn't have been tempted apart from the fact that the excellent Fullers Bookshop in Hobart was selling the hardback for five dollars.
The characters are almost all caricatures (the poncey business exec with his Mercedes S-class and Zero Halliburton aluminium briefcase anyone?), mouthpieces for Banks' views on society and politics, so unconvincing they would have trouble standing up in a Jackie Collins novel.
Even more annoyingly there are enough flashes of his best writing to remind you what you're missing. The passages recounting the hero's teenage years are beautifully written, with a real feel for the miseries and joy of that age. Sadly, these sections only remind me of similar ones in his earlier and better books.
One of the better characters seems to be speaking directly to the author rather than the protagonist when she asks: 'What are you trying to achieve? What is it you really want?' In Banks' case unfortunately it looks like he has lost track of the former and found the answer to the latter so long ago that he can't really be arsed anymore.
In short, he is a bit of genius and someone I admire greatly.
Unfortunately, and you knew there was a qualifier coming, his last four (non-SF) novels haven't been very good. So over the last 14 years I have gone from keenly awaiting each new release to mild interest whenever the latest title appears. After Dead Air I even sort-of-assumed that I might be finished with his regular fiction and considered starting into his SF works. I read some mildly positive reviews of The Steep Approach to Garbadale, but even then had no inclination to pick up a copy and probably wouldn't have been tempted apart from the fact that the excellent Fullers Bookshop in Hobart was selling the hardback for five dollars.
The characters are almost all caricatures (the poncey business exec with his Mercedes S-class and Zero Halliburton aluminium briefcase anyone?), mouthpieces for Banks' views on society and politics, so unconvincing they would have trouble standing up in a Jackie Collins novel.
Even more annoyingly there are enough flashes of his best writing to remind you what you're missing. The passages recounting the hero's teenage years are beautifully written, with a real feel for the miseries and joy of that age. Sadly, these sections only remind me of similar ones in his earlier and better books.
One of the better characters seems to be speaking directly to the author rather than the protagonist when she asks: 'What are you trying to achieve? What is it you really want?' In Banks' case unfortunately it looks like he has lost track of the former and found the answer to the latter so long ago that he can't really be arsed anymore.
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